Tuna kitu kwa ajili yako. Now a queen but unhappy with her husband, Morgan serves as a lady-in-waiting for the high queen, Arthur's newly married young wife Guinevere. [29][82], Besides Lancelot, Morgan's fancied good knights include Tristan, but her interest in him turns into burning hatred of him and his true love Isolde after he kills her lover as introduced in the Prose Tristan (Morgan does not become their enemy in the Italian versions). Lake of Avalon She learns more spells than any other woman, gains an ability to transform herself into any animal, and people begin to call her Morgan the Goddess (Morgain-la-déesse, Morgue la dieuesse). Her character may have been rooted in Welsh mythology as well as other earlier myths and historical figures. View jean paul Di Vita’s profile on LinkedIn, the world’s largest professional community. Njozi na ziara, mafumbo na mauaji, askari na wahalifu—kila mtu ana uwezo wa kupata raha tele kwenye tamthilia hizi. Morgan le Fay (/ ˈ m ɔːr É¡ ən l ə ˈ f eɪ /, meaning "Morgan the Fairy"), alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings (Welsh: Morgên y Dylwythen Deg, Cornish: Morgen an Spyrys), is a powerful enchantress in the Arthurian legend.Early appearances of Morgan do not elaborate her … "[56], A recently discovered moralistic manuscript written in Anglo-Norman French is the only known instance of medieval Arthurian literature presented as being composed by Morgan herself. Vita Vea: Pos: DT, Career: 34 G, 1 TD, Buccaneers 2018-2020, born CA 1995 She also plots an elaborate ambush in "The Book of Sir Tristram de Lyons", after learning of the death of one of her favourites in a tournament, but Tristan ends up killing or routing thirty of her knights when the ambush ends in a disaster. "[57] The Vulgate Suite du Merlin narration describes Morgan's unmatched beauty and her various skills and qualities of character: Uther (or Arthur himself in the Post-Vulgate[14]) betroths her to his ally, King Urien of Gor(r)e (described as an Otherworldly northern British kingdom, possibly the historical Rheged). He then used his magic to free Lancelot's soul from Morgana's control. Morgen agrees to take Arthur, delivered to her by Taliesin to have him revived, but says it might take a long time. Early appearances of Morgan do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and related to King Arthur as his magical saviour and protector. Depending on the manuscript, she is either the leading lady (usually, being recognised by Girflet as the one holding Arthur's hand as he enters the boat), a subordinate to another who is unnamed, or neither of them are superior. And she had the fairest head of any suited for a woman, and the most beautiful hands, and her skin was softer than millet. For modern portrayals of the character, see. At a young age, Morgan is sent to a convent after Arthur's father Uther Pendragon, aided by the half-demon Merlin, kills Gorlois and rapes and marries her mother, who later gives him a son, Arthur (which makes him Morgan's younger half-brother). As part of her convoluted plan, both Arthur and Accolon are spirited away from their hunt with Urien by a magical boat of twelve damsels. With the entire court of Camelot in attendance, the boat containing Elyan's body was set adrift on the lake. Modron appears in Welsh Triad 70 ("Three Blessed Womb-Burdens of the Island of Britain") – in which her children by Urien are named Owain mab Urien (son) and Morfydd (daughter)[21] – and a later folktale have recorded more fully in the manuscript Peniarth 147. The reader is told that Morgan was given her moniker 'la fée' (the fairy) due to her great knowledge. Once Elena was married to Arthur, the fairy inside her would emerge and take her over completely, thereby allowing a Sidhe to become Queen of Camelot. A(z) „Teljes besorolású komolyzenei témájú szócikkek” kategóriába tartozó lapok. In the legends of Charlemagne, she is associated with the Danish legendary hero Ogier the Dane: following his initial epics, when he is 100 years old, the fairy queen Morgan restores him to his youthful form but removes his memory, then takes him to her mystical island palace in Avalon (where Arthur and Gawain are also still alive) to be her lover for 200 years. [17] As Orvan the Fairy (Orva la fée, likely a corruption of a spelling such as *Morgua[a] in the original-text),[38] there she first lustfully[39] loves the Trojan hero Hector and gifts him a wonderful horse, but then pursues him with hate after he rejects her. In it, a love of Morgan (Morgue) is Guigomar (Guingomar, Guinguemar), the Lord of the Isle of Avalon and a nephew of King Arthur, a character derivative of Guigemar from the Breton lai Guigemar. He watched the boat burn for a moment, and then returned to Camelot (The Lady of the Lake). Type: See what Vita Taylor (taylor4004) has discovered on Pinterest, the world's biggest collection of ideas. [71] Morgan then either undertakes or continues her studies of dark magic under Merlin, enamored for her, the details of which vary widely depending on the telling. Merlin VAN RISSENBECK of Leuphana University Lüneburg, Lüneburg | Contact Merlin VAN RISSENBECK "Morgan le Fay: Goddess or Witch?". This late 12th-century text is purportedly addressed to her court official and tells of the story of a knight called Piers the Fierce; it is likely that the author's motive was to draw a satirical moral from the downfall of the English knight Piers Gaveston, 1st Earl of Cornwall. Pagina creata per tutti i fans della meravigliosa coppia Demelza/Ross della serie TV Poldark. [34] In the Val sans Retour, Lancelot frees the 250 unfaithful knights entrapped by Morgan, including Morgan's own son Yvain and her former lover Guiomar whom she has turned to stone for his infidelity. The Gates of AvalonExcaliburThe Lady of the LakeThe ChangelingThe Coming of Arthur: Part TwoLancelot du LacThe Dark Tower (episode)The Diamond of the Day: Part Two [26] This evokes Avalon, the marvelous "Isle of Apples" with which Morgan has been associated since her earliest appearances, and the Irish legend of the otherworldly woman Niamh including the motif of apple in connection to Avalon-like Otherworld isle of Tír na nÓg ("Land of Youth").[27]. This episode affirms her early role as a healer, in addition to being one of the first instances of Morgan presented as Arthur's sister; healing is Morgan's chief ability, but Chrétien also hints at her potential to harm. Morgan's importance to this particular narrative has been disputed and called a deus ex machina[103] and simply an artistic device to further connect Gawain's episode to the Arthurian legend, but some regard her as a central character and the driving force of the plot. In some variants, including the popular retelling by Malory, Morgan is the greatest enemy of Arthur, scheming to usurp his throne, indirectly becoming an instrument of his death; however, she eventually reconciles with Arthur, retaining her original role of taking him on his final journey to Avalon. Lancelot is Morgan's prime object of sexual desire but he consistently refuses her obsessive advances due to his great love of Guinevere, even as Morgan repeatedly courts, drugs, enchants or imprisons the knight. Here is Patricia K. Van Walleghen’s obituary. "[92] Some modern researchers attribute Malory's "personal misogyny" to his portrayal of Morgan as well as women in general.[93]. [47], Chrétien again refers to Morgan as a great healer in his later romance Yvain, the Knight of the Lion, in an episode in which the Lady of Norison restores the maddened hero Yvain to his senses with a magical potion provided by Morgan the Wise (Morgue la sage). Confident of her coming victory, Morgan also attempts to murder her sleeping husband Urien with his own sword, but in this act she is stopped by their son Yvain (Uwayne), who pardons her when she protests she has been under the devil's power and promises to abandon her wicked ways. Geoffrey's description of Morgen and her sisters in the Vita Merlini closely resembles the story of the nine Gaulish priestesses of the isle of Sena (now Île de Sein) called Gallisenae (or Gallizenae), as described by the geographer Pomponius Mela during the first century, strongly suggesting that Pomponius' Description of the World (De situ orbis) was one of Geoffrey's prime sources. Following these instructions, Merlin retrieved the sword from the armoury and cast it into the Lake of Avalon, where it remained for the next three years (Excalibur). [79] Her daughter also appears, as Gaia Donzella, in the Tavola Ritonda, where she is kidnapped by the knight Burletta of the Desert (Burletta della Diserta) who wants to rape her but she is rescued by Lancelot. Ulrich's unnamed fairy queen character might be also related to Geoffrey's Morgen,[19] as well as to the early Breton oral tradition of Morgan's figure, especially as her son there is named Mabuz, similar to the name of Modron's son Mabon ap Modron. [80] One of such occasions has Lancelot captured in Cart Castle (Charyot) by Morgan and two other lascivious enchantresses, Queen Sebile (Sedile) and the unnamed Queen of Sorestan, each of whom wants to make him her lover, but he refuses to choose and escapes with the help of one of their maidservants, Rocedon. ), Middle English writer Thomas Malory follows the portrayals of Morgan from the Old French prose cycles in his late-15th-century seminal work of the selective compilation book Le Morte d'Arthur (The Death of Arthur), though he reduces her in role and detail of characterisation, in particular either removing or limiting her traditions of healing and prophecy, and making her more consistently and inherently evil just as he makes Merlin more good. She was comely in body and features, she stood straight and was wonderfully pleasant and a good singer. Sir Elyan was given a similar funeral roughly three years later, after he died rescuing his sister Guinevere from the Dark Tower. When a Sidhe named Aulfric killed another Sidhe under unspecified circumstances, the Sidhe elder punished him by stripping him and his daughter of their immortality and exiling them from Avalon. The character Morgan le Fay has become ubiquitous in Arthurian works of the modern era, spanning fantasy, historical fiction and other genres across various mediums, especially since the mid-20th century. [41][73], Morgan also uses her skills in dealing with various of Arthur's Knights of the Round Table, especially the greatest of them all, Lancelot, whom she alternately tries to seduce and to expose as Guinevere's adulterous lover. He sent her aid, even from the fire, as much as she wanted. Morgan is widely feared and hated, so much that "many knights wished her burnt." [41] Conversely, a 14th-century Middle English version of the Vulgate Mort Artu known as the Stanzaic Morte Arthur makes Morgan an unquestionably good sister of Arthur, concerned only about his honour in regard to the affair of Lancelot and Guinevere. She then takes an unnamed knight as her new companion, until she discovers his affair with another woman, which leads to the creation of her magical domain known as the Val sans Retour (the Vale of No Return), serving as an enchanted prison for false lovers.
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